Sandalwood Parkway By PabloTheSensei & WW Lowry

Released April 28th, 2025
Written by Ryan Henderson

Opinion Before Listening:

PabloTheSensei has a really interesting background that instantly grabbed my attention! He’s originally from Dubai, and got his start in music very early on! While in high school he started performing in a local band there and that’s where his passion for music and performing started!

He would then start searching for more and more gigs eventually releasing his own solo music and making waves across the Toronto scene is a journey not many can say they’ve taken. That kind of cultural blend shows in his music! He’s got a real talent for carving out catchy flows over almost any beat thrown his way. It’s that versatility that’s helped him start to stand out in the Toronto rap scene, and it’s also what makes this collab project with WW Lowry so exciting.

WW Lowry, born and raised in Brampton, has shown nothing but upward growth since his early days. I went back to his very first Spotify track, “WAR WITH MYSELF,” and while it’s not a bad song by any means, it’s clear how much more comfortable and refined he’s become as an artist. Just listen to “Open Casket” it’s raw, it’s real, and easily my personal favorite from him so far. If Sandalwood Parkway captures that same honesty and emotional weight, I’m fully locked in.

After diving into both of their individual catalogs, I’m genuinely hyped to see what this duo can create together. Their styles feel closely aligned smooth but sharp, real but melodic yet they’ve got just enough contrast to complement each other in a meaningful way.

If they can channel the chemistry they had on “WMI” and sprinkle in some new flavors, we might be witnessing something special. Even better? Neither of them sound like your typical “Toronto rapper,” which is refreshing. I’m all for seeing more diversity and evolution in the city’s scene.

Let’s get into Sandalwood Parkway.

Tracklist Ranking:

#1: ‘WMI’ – 9.3/10
#2: ‘Everytime’ – 9.1/10
#3: ‘Jack (Lowry Solo)’ – 9/10
#4: ‘DXB – YYZ’ – 8.8/10
#5: ‘Kalenji’ – 8.7/10
#6: ‘Adding Up’ – 8.6/10
#7: ‘Dirty Diana’ 8.5/10
#8: ‘Josh (Pablo Solo)’ – 8.2/10
#9: ‘Flower City’ – 8/10
#10: ‘9050 Bramalea Rd’ 7.9/10
#11: ‘Percs & Patron’ 7.7/10
#12: ‘410’ 7.7/10
#13: ‘Still The Same Old Me’ – 7.6/10
#14: ‘Carleton Place Freestyle’ – 7.5/10
#15: ‘Outro’ – 7.2/10
#16: ‘Mollycule’ – 7.1/10
#17: ‘Meantime’ – 7/10
#18: ‘Wicked Games’ – 6.8/10
#19: ‘Brand New’ 6.5/10
#20: ‘Nah Nah Nah (Interlude)’ – 6.4/10

Top 5 Tracks Strictly Based On The Performance:

(trying to analyze bars, singing, and energy put into the music alongside the beat.)

#1 WMI: From the second the beat kicks in, WMI feels like the thesis statement for this entire album! Raw, reflective, and filled with equal parts pain and pride.

Both PabloTheSensei and WW Lowry are in their most vulnerable yet confident state here, laying bare the struggles that come with leveling up in life and music.
“I got a girl that I love, it don’t matter ‘cause she got her next one, coming to me like she got a new butt, she tryna see if I run up the funds.” That line cuts deep.

Pablo taps into a harsh truth that often comes with success: once you start shining, people show up for all the wrong reasons. The modern gold-digger era is real and it’s evolved. Now it’s not just about money, it’s about clout, attention, access. It’s a sad reality that some women only see potential in what you can give, not in who you are.

I hope anyone chasing their dreams finds someone who loved them before the wins or at least someone who loves them for the right reasons. But what elevates WMI even more is the way WW Lowry comes in, matching that depth and shifting the focus to something just as crucial: having the right people around you.

“I been told by the people who love me to always keep going and never give up now, It’s the fact that you made me a star and you don’t even know it their chances are over now.” Lowry gives flowers to the ones who lifted him up when the lights were still dim. When you’re building something out of nothing, that support real support is everything. The late nights, the self-doubt, the financial strain, the pressure to be perfect it’s all heavier when you’re alone. Having people in your corner who believe in the dream when it’s still just potential?

That’s the difference between quitting and pushing through. WMI is more than just the best track on Sandalwood Parkway it’s a reminder. A reminder to move carefully, love wisely, and appreciate the people who never asked you to be famous, just to keep going!

#2 Everytime: Everytime feels like the celebration you earn after years of grinding in silence. It’s not flashy or over hyped it’s reflective, grounded, and honest. This is the kind of track that doesn’t just talk about success, but about the process of realizing you’re finally living the moments you once dreamed about.

What hits the hardest is the tone: they’re not bragging, they’re just taking a well-earned breath. Pablo and Lowry both bring that energy of appreciation, not for fame, but for growth. They know they haven’t “made it” in the industry yet, but they’ve hit milestones that once felt out of reach. That quiet acknowledgment makes the whole track feel authentic and human “Every time I put on a show for my people they tell me I’m 1 of 1, I’ve been doing that shit that I dreamed of.” hat line encapsulates everything.

It’s the feeling of realizing that what once felt impossible is now your reality. And yet, there’s still more to prove, more doors to open. It’s a mindset I hope to relate to one day, the ability to pause and say look how far I’ve come, even if the work isn’t finished.

This track is a reminder to take inventory of your wins, even the quiet ones. Pablo and Lowry are clearly building something brick by brick, and Everytime is the sound of them finally stopping to look around and appreciate the view.

#3 Jack (Lowry Solo): This solo cut from WW Lowry is a standout not just for how it sounds, but for what it says. Jack feels like the type of track that doesn’t just show off skill, but also exposes the weight of pursuing something bigger than yourself. One of the most striking things about Lowry’s artistry is his subject matter.

He doesn’t just rap about wins he opens up about the mental tug-of-war that comes with chasing a dream. As someone who’s on the content creation grind myself, his bars resonate deeply. There’s a quiet heaviness in this one that reflects how hard it is to stay consistent and passionate when you’re putting in the work without any guaranteed return. “They heard of me but they don’t stream the music so what’s up with it?” That line hit hard. It speaks to a truth that every independent creator knows too well sometimes the people closest to you won’t support your vision.

It’s not malice, it’s just that chasing something different makes others uncomfortable. Most of your early support ends up coming from strangers online. Those people will see your potential before those who grew up with you ever will.

Lowry clearly understands this, and that perspective is what makes his grind so admirable. He’s flourishing because he’s betting on himself not waiting for validation, just sharpening his craft and building his own momentum. Jack is a perfect reflection of that energy, and I’m genuinely excited to see where it takes him next.

#4 DXB – YYZ: The title alone is a clever nod to both artists’ backgrounds DXB for Dubai, representing PabloTheSensei’s roots, and YYZ for Toronto, more specifically Brampton, where WW Lowry calls home. It’s a small touch, but it sets the tone for a track that’s all about leveling up while staying true to where you come from.

PabloTheSensei sets the tone immediately. He enters the track with a smooth yet commanding melodic flow that perfectly rides the beat’s drop. It’s one of those intros that grabs your attention without trying too hard he’s clearly in his element here. The delivery is effortless but intentional.

And what’s a rap song without some flexing! “Now I’m up, everybody want a piece, ___ now they begging on their knees, Bitches in my DMs tryna link up overseas.” It’s a clean flex, but it doesn’t feel overdone just confident and calculated, like someone who’s already lived through the hunger stage and is now enjoying the rewards.

Then WW Lowry comes in and shocks me a bit, honestly. Not because I doubted his skill, but because of how comfortably he matched Pablo’s melodic energy.

Usually, Pablo owns this lane, but Lowry held his own with ease. His verse is well delivered and packed with slick lines like: “I love to book flights to catch M’s and not Z’s” It’s quotable, it’s aspirational, and it shows he’s evolving into a more dynamic artist. This track is proof that when these two link, their chemistry can produce something seriously special.

#5 Kalenji: This track feels like a lost 2000s R&B/rap banger brought into 2025! Nostalgic, melodic, but still very current. It’s got that “late-night car ride with the windows down” kind of energy. The chorus gives off major throwback vibes, almost like it was sampled, but it’s all original. I’m assuming JAMES is the singer responsible for the hook, and he completely floated on it.

I haven’t been able to track down his socials or a Spotify profile, but Pablo and Lowry, y’all need to keep telling bro to get in the booth. He’s a problem. “How many times did I tell you I need your support and you just left me here alone, How many hours I sat in the booth and made music to try and feel home. Hit after hit, bitch after bitch, girls in my city call me the one” This is exactly what I was hoping for going into the album. WW Lowry bringing that emotional depth while still keeping his signature energy. The way he transitions from vulnerability, reflecting on relationships and the lonely side of the grind right back into flex mode with confidence and charisma is beautifully executed. That duality is what makes Lowry so compelling. Combine that with Pablo’s smooth cadence and JAMES’ clean vocals, and you’ve got one of the most memorable tracks on Sandalwood Parkway.

Overall Rating of the Album: 7.9/10

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Sandalwood Parkway is more than just a collaboration it’s a bold step forward for both PabloTheSensei and WW Lowry. Pablo’s ability to ride any beat with smooth, melodic control, paired with Lowry’s raw emotion and relatable writing, makes for a genuinely refreshing listen. This album doesn’t chase trends or mimic the typical Toronto sound.

Instead, it builds its own identity one rooted in honesty, ambition, and real experiences. Tracks like “WMI” and “Everytime” show their growth not just as artists, but as individuals who’ve fought to get where they are. If they continue evolving like this, pushing each other creatively and staying true to themselves, Sandalwood Parkway won’t just be remembered as a highlight it’ll be seen as the turning point where it all started to click.

Check it out and form your own thoughts!